Since its first publication in 1954, this work has established itself as a unique classic.  It applies the approaches and findings of modern psychology to the study of art; it describes the visual process that takes place when people create -- or look at -- works in the various arts, and explains how the eye organizes visual material according to definite psychological laws.  Artists, critics, art historians, film students and general readers have found it a highly readable book.  (Used Soft Cover Edition)